behind the song
To the surprise of many, Jack White’s GRAMMY-nominated solo jam “Lazaretto” is based on a hip-hop classic.
Watch Pharrell Williams talk about the creation of ‘Happy,’ and how the world’s response has affirmed his faith in humanity.
When Taylor Swift sat down to write her now three-time GRAMMY nominated hit “Shake It Off,” she wanted to create a song that brought the wallflowers to the dance floor.
‘Chandelier’ is a classic case of a happy accident, a spontaneous flash of inspiration that turned into one of the biggest and most pervasive hits of 2014.
Paramore’s song “Ain’t It Fun” didn’t just help Hayley Williams grow up, it also earned her and her bandmates a GRAMMY nomination.
Meghan Trainor is bringing booty back.
“It’s drama, and it’s dark,” said Underwood about “Two Black Cadillacs,” her ACM Award-nominated song. And, she added, “you have to listen to the whole thing,” because you’ll be “sucked in.”
Some songs can take a bit of time to really sink in and win over fans as well as the artists. That wasn’t the case, though, with “Mine Would Be You,” the No. 1 hit from Blake Shelton.
“She couldn’t even say it — she couldn’t say ‘I drive his truck.’ She was like, ‘no, I don’t want to do it today.’ And I was like, ‘oh yeah we are!'”
Songwriter Chase Rice and both Tyler Hubbard and Brian Kelley of Florida Georgia Line go ‘behind the song’ and talk about the origins of FGL’s first No. 1 hit “Cruise,” which has been nominated for Two ACM Awards.
“It was our first single for our sophomore release, which some say is the most scrutinized piece of music an artist ever puts out,” Kimberly Perry told Radio.com. Now the video for the song has been nominated for an ACM Award.
Songwriter Jimmy Robbins and singer Keith Urban talk about the origins of “We Were Us,” the No. 1 duet between Urban and Miranda Lambert that has been nominated for Vocal Event of the Year at the ACM Awards.